Beyond Money

What would a world without money look like? This book is a lively thought experiment that deepens our understanding of how money is the driver of political power, environmental destruction and social inequality today, arguing that it has to be abolished rather than repurposed to achieve a postcapitalist future. Grounded in historical debates about money, Anitra Nelson draws on a spectrum of political and economic thought and activism, including feminism, ecoanarchism, degrowth, permaculture, autonomism, Marxism and ecosocialism. Looking to Indigenous rights activism and the defence of commons, an international network of activists engaged in a fight for a money-free society emerges. Beyond Money shows that, by organising around post-money versions of the future, activists have a hope of creating a world that embodies their radical values and visions

Small is Necessary

Does small mean less? Not necessarily. In an era of housing crises, environmental unsustainability and social fragmentation, the need for more sociable, affordable and sustainable housing is vital. The answer? Shared living - from joint households to land-sharing, cohousing and ecovillages. Using successful examples from a range of countries, Anitra Nelson shows how 'eco-collaborative housing' - resident-driven low impact living with shared facilities and activities - can address the great social, economic and sustainability challenges that householders and capitalist societies face today. Sharing living spaces and facilities results in householders having more amenities and opportunities for neighbourly interaction. Small is Necessary places contemporary models of 'alternative' housing and living at centre stage arguing that they are outward-looking, culturally rich, with low ecological footprints and offer governance techniques for a more equitable and sustainable future

Design and Social Context, RMIT,

and evaluating the use of Web-delivered tools to supplement the community decision-making process. This has involved building and testing a 3D tool for Community Collaborative decisionmaking in the Jewell Station Neighbourhood (JSN). The focus of this decision-making tool provision is placed in an urban planning context. VRML (Virtual Reality Modeling Language) was used to build two tools: a ‘Sandbox ’ and a virtual world. Building the tools was done so that community members, or planning consortia, could use the tools in a group meeting or individually through home Internet computers, or even at Internet cafes. The underlying criterion for design was simplicity and accessibility. The virtual worl

Collage Vol. II

JUDY COCHRAN: Editorial, 4-5 ROBERTA CHAPMEN: Photo, 6 ANITRA CHUGHTAI (Translations): Haikus, 7 CHARLES O\u27KEEFE: Photo, 8 MARK VANDERLINDE-ABERNATHY, ALYSSA LANDRY (Translator): Memories of a Spider (Les souvenirs d\u27une araignee), 9 MARK VANDERLINE-ABERNATHY, AMY NORSKOG (Translator): Tomato Fields (Champ de tomates), 10 SARAH BISHOP, HEFEDH ZANINA (Translator): Dear John (Cher John), 11 RYAN BUTZ (Translator): Basho\u27s Haiku, Issa\u27s Haiku, 12-13 JENNIFER HUMBERT, FADOUA EL BOUAMRAOUI (Translator): Pressed Lips (Levres Serrees), 15 ADELE REEVES (Translator): Contemporary song by Mr. Children, 16-17 BRODY PAGEL, GRACE DUGAR (Translator): The Lizard King (Le Roi Lezard), 18 JIMMY PIPKIN (Translator): In Love with You, 19 MOLLY ROSCOE: Saturday Night at Rusty\u27s (Samedi Soir a Rusty\u27s), 20 CHARLES O\u27KEEFE: Photo, 21 MATT MESSMER (Translator): Waseda University School Song, 22-23 TIMOTHY COOPER: Wenn du grosh bist… (When you\u27re Tall…), 24 DAVID HARMAN: Der Dunkle Stern (The Dark Star), 25 ANN TOWNSEND, JUDY COCHRAN (Translator): From a Window (D\u27une Fenetre), 26-27 SARA CAHILL: El sauce lloron (The Weeping Willow), 28-32 CHARLES O\u27KEEFE: Photo, 30 JENNIFER HUMBERT, MATT BISHOP: Past, Present (passe, present), 33 CAROL GENEYA KAPLAN, FADOUA EL BOUAMRAOUI (Translator): Une Autre Femme (Another Woman), 34-35 CHARLES O\u27KEEFE: Photo, 36 ANN TOWNSEND, JUDY COCHRAN (Translator): The Mowers (Les Faucheurs), 37 PRISCILLA PATON: Photo, 38 GONZALO TUESTA: La Grande Dame De Paris (The Great Lady of Paris), 39 SARAH PILLERDORF (Translator): Japanese Cartoons by Tezuka Osamu, 41-45 DANIELLE GERKEN: Schuhe der Heimat (Boots of Home), 47 CURTIS PLOWGIAN: Le peste de la langue francaise, 48-52 PRISCILLA PATON: Photo, 50 ZANE HOUSEHOLDER: Vive la Republique! (Film), 54 JENNIFER ZIMMER: EL tenis y las frustraciones (Tennis and Frustrations), La tumba de Ben (Ben\u27s Grave), 56-57 AUTUMN LOTZE: Times Square in the rain, 58-59 CHARLES O\u27KEEFE: Photo, 60 STEPHEN M. JULKA: Colors of the Earth, 61 THOMAS BRESSOUD: Java, 62 ERIC NELSON: World, 63 SARAH CLAPP (Translator): At a long day\u27s end (Natsume Soseki), A friend has come and is now leaving, Eating persimmons (Masaoka Shiki), 64 CHARLES O\u27KEEFE: Photo, 65 JOHN BURZYNSKI, MEGAN FETTER (Translator): Home is where the heart is, 66 RICHARD BANAHAN: Photo, 67 KIM FREEMAN: Baltimore, 68 JACOB RIDRIGUEZ-NOBLE: Home (Heimat), 69 SUZANNE KENNEDY: Oft verberge ich mich (Oft I hide myself), 70 RICHARD BANAHAN: Photo, 7

Literary Communities: writers\u27 practices and networks

This paper discusses a new direction for research on creative writing: exploring the formative contexts within which writers develop, receive recognition and are celebrated, our approach centres on literary networks and activities that characterize well-recognised literary communities. By studying the UNESCO Cities of Literature network, our research aims to identify and analyse key formative experiences for contemporary creative writers, although in this paper we simply refer to one of those cities — Melbourne. We hypothesize that the notion of a ‘community of practice’ has potential to be a constructive way to interrogate writers’ practices within literary communities to inform arts policy making and university creative writing programs. In this discussion we try to show how our approach promises to deliver a variety of findings, such as showing the practical links between creative writing and literary studies, as well as between creative writing processes and products

Small is Necessary

Does small mean less? Not necessarily. In an era of housing crises, environmental unsustainability and social fragmentation, the need for more sociable, affordable and sustainable housing is vital. The answer? Shared living - from joint households to land-sharing, cohousing and ecovillages. Using successful examples from a range of countries, Anitra Nelson shows how 'eco-collaborative housing' - resident-driven low impact living with shared facilities and activities - can address the great social, economic and sustainability challenges that householders and capitalist societies face today. Sharing living spaces and facilities results in householders having more amenities and opportunities for neighbourly interaction. Small is Necessary places contemporary models of 'alternative' housing and living at centre stage arguing that they are outward-looking, culturally rich, with low ecological footprints and offer governance techniques for a more equitable and sustainable future

Beyond Money

What would a world without money look like? This book is a lively thought experiment that deepens our understanding of how money is the driver of political power, environmental destruction and social inequality today, arguing that it has to be abolished rather than repurposed to achieve a postcapitalist future. Grounded in historical debates about money, Anitra Nelson draws on a spectrum of political and economic thought and activism, including feminism, ecoanarchism, degrowth, permaculture, autonomism, Marxism and ecosocialism. Looking to Indigenous rights activism and the defence of commons, an international network of activists engaged in a fight for a money-free society emerges. Beyond Money shows that, by organising around post-money versions of the future, activists have a hope of creating a world that embodies their radical values and visions

Productive Creative Writers\u27 Relationships: A Communities-of-Practice Framework

The notion of a \u27community of practice\u27 offers fruitful ways to frame and assess literary activities for the producers of literature, creative writers. Referring to Woody Allen\u27s film Midnight in Paris (2011), the experiences of two Australian writers and the Australian Seven Writers\u27 community of practice, we discuss gaps that our research approach aims to fill through investigating the significance of specific writers\u27 literary relationships in developing their creative writing skills and work. Framing such relationships as professional \u27communities of practice\u27, we argue that studying the functions of contemporary writers\u27 relationships as working environments has the potential to inform both creative writing learning and arts policymaking. As such, advocating for a community-of-practice conceptual framework is the main aim